This is a pop-up collage displaying the effects of red-tagging on photojournalists. Red-tagging is when a journalist has been branded as a member or an associate of an enemy party of the government, leading to blacklisting and harassment of the journalist in the hopes of stifling their work. This topic is of interest to me because red-tagging is a problem in the Philippines, my mom’s country, where photojournalists will be branded as terrorists or communists so the government has a public excuse to kill them. It is also particularly insidious for photojournalists due to economic circumstances, since the job market is still recovering from the pandemic and Filipino photojournalists must contend with lacking compensation for their work.
Specifically, my collage is depicting a photojournalist who is being hunted after being red-tagged, as shown by the red paper I used to depict a laser sight, because being killed by the government is one of the many dangers photojournalists have to face when they're red-tagged. It does integrate some drawing, such as with the camera, but it is less of a stand-up illustration than a stand-up collage, which does have its own benefits, as I was able to play with some different textured and patterned papers. It was also my first time doing paper engineering, which involves the skill of crafting the paper mechanisms that make the elements of my project be able to stand up and fold over without crumpling, which I learned thanks to this video teaching how to make a basic pop-up book page. Below, I took an image from above that actually shows the paper mechanisms that I used from the video that enable my collage to act as a pop-up project.
In 2011, Italian photojournalist Alessio Mamo traveled to India for what would be his second time to collaborate with an Indian organization on a project. This project took him to the Indian states of Madhya Pradesh and Uttar Pradesh, where he met with some villagers of the area. After getting to know those villagers he spoke to, Mamo explained to them the idea behind his project. It required volunteers, of which Mamo found among the people he had just established friendly relations with. The set was prepared, with the villagers who had agreed to be volunteers excited to be photographed and participate in such a project. On July 22nd of 2018, five of the photos in Mamo's project, titled "Dreaming Food", were posted to the World Press Photo Instagram account. The backlash was immediate. But what even was "Dreaming Food" in the first place? According to Mamo himself in his statement about his project after-the-fact, he "...was obsessed by the food thrown awa...
Photograph of Victoria Ivleva by Victoria Ivleva Victoria Markovna Ivleva-York is a Russian photojournalist and activist that was born in Saint Petersburg, Russia. Very little else is known about her early life, which might be due to privacy reasons considering she is still alive and active today. At some point, she moved from Saint Petersburg to Moscow, where she would graduate from the Journalism Department of Moscow State University. As well as being a photojournalist, Ivleva is also an activist. She has traveled extensively within and outside the then-Soviet Union, from Central Asia to Africa, to photograph people being affected by disaster or violence. On April 26th, 1986, the Chernobyl nuclear disaster occurred. Ivleva, who had been in Chernobyl just days after the accident, returned a couple years later on January 1st, 1991, as the first journalist to photograph the destroyed fourth reactor. According to her own statement on RFERL.org , " ...she was able to enter the four...
In the early days of photojournalism, cameras were the epitome of novel but riddled with inconvenience. They could capture a likeness in a relatively short amount of time compared to an artist, but they required extensive preparation as well as sensitive and cumbersome equipment to accomplish that goal. According to the video by the Getty Museum titled "The Wet Collodion Process" , "From 1851, until about 1880, the wet collodion process became the dominant method for making photographs throughout Europe and North America". It was also the majority of what made photography in this time so unwieldy. Collodion was the main chemical used in order to make the image, but it had a time limit before it dried up and became unusable. This is especially relevant to photojournalists, as their profession means they won't always be in reach of an area with a dark room, which necessitated carting a portable version along with them. But, of course, innovation is inevitable. Wha...
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